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Unfortunately, Martel is wasted, merely a damsel in distress to kick off the plot, the only flaw in Powell's compelling first part of "A Tiger Hunt in Paris.SAN FRANCISCO – The Center for Asian American Media (CAAM) is pleased to announce that CAAMFest 2017 will take place March 9-19 in the San Francisco Bay Area.ĬAAMFest is an 11-day feast for the senses, with film, music, food and digital media from the world’s most innovative Asian and Asian American artists.Ĭelebrating its 35th year, CAAM turns the lens on itself, peering back to the festivals and themes of yesterday, exploring the organization and CAAMFest in its current form today, and looking ahead to future iterations and directions for the Festival. Similarly, supporting stalwart Dehner transcends the fatuous arrogance Powell had written for his Backscheider, becoming a formidable foe for Hogan while he runs roughshod over hapless Klink, believing that the Gestapo had commandeered his staff car, yet still able to mug for the camera.
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This led to fascinating questions about her loyalties starting with her first appearance here as Hogan and LeBeau encounter her in a "White Russian café." Moreover, industry veteran Talbot absolutely commands the scene as for one moment "Hogan's Heroes" rises to feature-film quality -set designer Hub Braden even gives a "Casablanca"-like feel to the café, complete with a black piano player-with Talbot oozing intrigue, danger, and sexuality that earned her repeat visits to the series.
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By making Marya a White Russian, Powell created his greatest character in terms of complexity and ambiguity: White Russians were anti-communists of various stripes ranging from liberals to czarists some collaborated with the Nazis even after Germany invaded the Soviet Union in June 1941. The key to besting Backscheider is Marya (Nita Talbot), the White Russian astrologer having an affair with him, who is more Mata Hari than Madame Tarot. To that end, Hogan poses as "Frank Durkin," an escaped American POW from Stalag 13-so much for Klink's perfect no-escape record-turned black marketeer, to engage Backscheider, ruthless, corrupt, and a pseudoscientist engaged in phrenology (the reading of bumps on the skull) and other occult arcana in which many Nazis actually believed. Their reason is compelling: The Gestapo has captured Tiger (Arlene Martel), a crucial underground linchpin Powell introduced in the second-ever "Hogan's Heroes" episode ("Hold That Tiger"), and taken her for interrogation by Colonel Backscheider (John Dehner) in Paris, forcing Hogan and LeBeau to spring her before she reveals the Heroes' operation-or is killed in the process. Yes, with the hardly-willing help of an anguished Schultz, the two prisoners of war stow away atop Klink's staff car and promptly abscond with it once in Paris. When Stalag 13 commandant Colonel Klink takes a week-long furlough in Paris, with Sergeant Schultz driving him there, Colonel Hogan, leader of the Heroes, and Corporal LeBeau come along for the ride. Make no mistake: put your credulity on hold. Moreover, during the series, Powell introduced four of the most memorable occasional characters, such as German Major Hochstetter, whose 35 appearances really make him a recurring character, and British Colonel Crittendon, and in the first part of "A Tiger Hunt in Paris" he introduces a third one while including a previously-introduced fourth.
THE TIGER HUNTER OAKLAND SERIES
The first part of this tall tale, one of only two two-part episodes the series aired (Powell also wrote the second one), is hardly padded as it sustains interest throughout. Just because Richard Powell never took "Hogan's Heroes" seriously doesn't mean he couldn't script an entertaining story.